Pam Longobardi

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I often involve elements of natural phenomenon as processes in the physical construction of my work, such as chemical patination, light-sensitive photo imaging, and mirror reflection. The crystallization of the patinas form a kind of fractal pattern which contains nature in miniature: landslides, erosion, sedimentation, and streambed formations arise at the suprascopic level.

It is onto this surface that I plant pictures of nature and details of human presence, which populate the space as an analogy to humanity's need to put our face on the world. The paintings then work as a kind of mapping of painting space as a domination of the universe, a transformation of nature to the fulfillment of ego and pleasure. 

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